Xinhua net Beijing report is Norwegian on March 4 capital Oslo the museum cheating a gram of city makes a statement 3 days say, the name of · Meng Ke draws Edward of Norwegian expressionist Great Master " loud cry " and " goddess " after classics rehabilitate, will restore to exhibit in museum in May this year.
Statement says, these two canvas " arduous and time-consuming " repair work is about to finish, will exhibit at will coming to will face the public on September 26 on May 23.
2004, " cry out " and " goddess " when museum exhibits, be reaved in public by two men that hold weapon, the police after two years recovers his. However, damage is serious during have things stolen of these two master, canvas occurrence nick, local still be permeated by water.
Whether does after museum does not wish to disclose canvas rehabilitate, unconscious gram still see the point of damaged. Nevertheless, when museum curator accepts Afp to interview, say, " loud cry " left corner still has water floodwater on low-lying land.
Of Afp report, a few version ever had drawn before Meng Kesheng " cry out " and " goddess " , but the work that was reaved 2004 is one of version that he draws the most thoroughly, at that time appraisal 100 million dollar.
After the name draws have things stolen, museum strengthened safety to protect the job. Nowadays, metallic detector must be passed before the person that look around buys a ticket, the bag that carries also needs to scan. After buying a ticket, they still must accept metallic detector the 2nd times to detect.
Relevant data:
Edward · Meng Ke (Edvard Munch, on December 12, 1863 - on January 23, 1944) it is Norwegian expressionist painter and woodcut duplicate artisan. He is dejected to psychology intense, the processing ploy that calls type had main effect to the Germany at the beginning of 20 centuries grows expressionistly. " cry out " (Norwegian Skrik, also interpret is made " shriek " , make 1893) , it is Meng Ke most move the masterpiece of the name, the God work of human anguish is behaved in existentialism be consideringed as. Like a lot of other work of Meng Ke, his altogether drew 4 different version " cry out " . Cheat those who overcome alive discipline to handed in period to produce symphonic type " the cordon of life " (The Frieze Of Life) series, " loud cry " belong to this series. This series involved the subject such as life, love, scared, death and melancholy.
Meng Ke comes to those who behave him to the opposite of personal experience is put and die to experience through these themes, for instance " the child in disease " (1886, the portraiture of the elder sister Su Fei that Meng Ke dies) , " the death in ward " (1893) , " despair " (1893-94 year) , " bloodsucker " (1893-94 year) , " fretted " (1894) , " cindery " (1894) , " , each picture the sense that the out and away is communicating a painter strongly and mood, the detail of the specific target that is represented is simplified, and mood criterion by hyperbole, object itself becomes the carrier of a kind of mood that wants show, although they still still are of an elephant. These painter's paraphernalia have the power of lasting awe heart. In the back after of all these, we still can see that " century end " picture, the odd group of the libidinal abyss of the sort of wrong path and the dead shadow that cannot escape, of life fretted and but interweave together. The spectacular performance strength of the work that cheat a gram comes from at to artist heart world do not add the faithful expression that conceal, meng Ke's picture is created with whole soul.
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